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Showing posts with label arts education. Show all posts
Showing posts with label arts education. Show all posts

Wednesday, March 16, 2011

{W5H} Rob Kempson

Rob Kempson is a stylin', sartorial wunderkind in our little Arts and Education Community. We were introduced a couple of years ago when I was on a playwright guest panel [along with the wonderful Marjorie Chan] for The Paprika Festival, of which Rob was in his first season as Artistic Producer. But it wasn't until the Canadian Stage intensive that I was able to get to know him. Busy as ever, he is still the Artistic Producer of The Paprika Festival, sits on the board of PAONE, just wrapped up his three-year tenure as Education Manager at Canadian Stage and is now the new Associate Artistic Producer at Theatre Passe Muraille. Phew! 


A splendid feature of the W5H series, is that each featured Artist Educator generates a new set of questions for a yet-to-be-determined next artist. So, these questions for Rob come courtesy of Cathy Nosaty:





Where were you when you first heard music that made a huge impact on you?
That's almost impossible to say. The story goes that I asked my mom for piano lessons when I was five. We didn't have a piano in the house so I'm not sure how or why it occurred to me. Either way, she said no--largely because I was the type who wanted to try/do/make/eat/play something different everyday. As it turns out I kept on asking and she finally gave in when I was seven. That's also the year when I joined the church choir as a Boy Soprano (sexy, I know). After me, the youngest member in the choir was my dad. So I guess if I had to pick a place it would be my parents' church.
 
What was your first favourite music?
My first favourite music was undoubtedly The Phantom of the Opera. I liked lots of music at that time, but nothing else impacted me in the same way as that show. During recess--EVERY recess--my friend Kathryn and I would kick people out of the tube slide so that we could sing through the entire show from the little lyric books that came with the cassettes. We thought the acoustics were best in the tube slide and we were in Grade 6, so no one else really had a chance at the slide. I can still remember arguing over who got to sing Christine's part in Angel of Music. Sometimes I wish my life were more like that still. Or maybe I just wish that I could still sing that part.
 
When did you realize that there were songs out there that expressed feelings and ideas similar to yours?
Shortly after I fell in love with Phantom, I fell in love with Musical Theatre in general. I think that the lyrical content of musicals, the emotion that they evoke, the stories that they tell always mean more than the verse and chorus of a hit pop song. When I found musicals, I found myself unable to separate the song from the story and the music took me away on a complete journey, rather than providing background entertainment. I think that's why kids connect with Disney movie musicals. Everytime you hear the song, you are transported. As much as Gaga makes me want to dance, she has yet to transport me.
 
Who was your favourite musician/band?
Jann Arden. Without a doubt. Something about her three-chord compositions and nasal voice made my pre-adolescent self shudder with excitement. I think I've seen her upwards of five times to date, and I would still go see her again if the opportunity presented itself. One time, my friend and I drove to Massey Hall (from Kingston) to see her, and we had won backstage passes because we were "Jann's Fanns" online. That's real dedication--becoming a fan long before facebook redesigned the meaning of that term. Even though her new stuff isn't that great I still have every album.
 
How did you feel listening to your favourite music?
All of my playlists are labelled by feelings, not categories. Music has always gotten under my skin and made me feel physical impulses--to dance, to sing-along, to write, to compose. It's not uncommon to see me bounce to the beat while riding the subway, or full-out tap on the platform. It's also not uncommon for me to miss my stop because I'm involved in a song that I'm listening to (although sometimes it's just because I love the Tetris app). I think my connection with music is best described by when/how I listen to it; when I'm listening to music, that is my primary activity. I cannot listen and work, listen and write, listen and anything. It consumes my whole feeling. Now doesn't that sound all artsy... sheesh.
[young Rob and friends]

You will find Rob at the helm of The Paprika Festival, running March 18-26th, at the Tarragon Theatre. The festival is celebrating it's 10th Anniversary this year. It features incredible, original performances by young people and it's absolutely free.

Saturday, March 12, 2011

{fieldnotes} : the national ballet of canada






As part of the Canadian Stage Intensive, I had the pleasure of visiting The National Ballet of Canada to observe their rich and exciting Education and Outreach Programs. On a snowy day at the end of February, I joined a tour of the Walter Carsen Centre, home of the National Ballet of Canada, along with a rambunctious group of grade two students from a downtown public school. 


The best part of the entire tour: after auditing a twenty-minute rehearsal of Themes and Variations, a rough and tumble seven-year old boy walked out of the studio, dragging his feet, stopped and exclaimed:


"That. Was. Awesome!"


Tours are absolutely free; a splendid thing to do for March Break. Click here for more information.


Thank you to Sharon Vanderlinde, Senior Manager of Education and Archives, and Adrienne Nevile, Archives for Coordinator generously letting me be a fly on the wall. 

Wednesday, March 9, 2011

{W5H} Cathy Nosaty

In grade seven and eight, when all the popular girls got on the volley ball team, I was on the W5H Team. It was a competitive trivia tournament between schools, very much along the lines of Reach for the Top. I was quick on the buzzer, and sometimes I think I knew way more stuff back then, in pre-Google land, than I do now [capital of Belgium anyone?].


In the spirit of W5H [which stands for Who, What, Where, When, Why and How], I've created this series for you to get to know some awesome and inspiring Artist Educators out there, many who I met at the Canadian Stage intensive in February. In W5H, we'll take a walk down memory lane with a variety of arts educators, to learn about their school days and their earliest memories of art and learning.


First up: Composer Cathy Nosaty. Cathy and I met ages ago when she worked on the sound design for Theatre Direct's production of Wajdi Mouadi's Alphonse, performed by the incomparable Alon Nashman. 




Where did you go to elementary school? 
St. Avila School in Winnipeg.  It was one of the first ‘open-concept’ schools where there were about 10 classes Grades 1 – 6 all in one huge space!  I don’t think the ‘open-concept’ lasted long though…..it was pretty noisy.

What was for your favorite subject?
Language arts.

When [if ever] did you get in trouble at school?
In grade 4 my classmates were accusing my friend Ruth of writing on a bookshelf with a black marker – Ruth said she didn’t do it and I stuck up for her.  I found out later that she DID write with the black marker – Ruth had thought there was a piece of clear tape there so she wrote on the bookshelf but denied it later.  I felt badly about it afterwards – I had not meant to, but I lied when I told the other kids she hadn’t done it.

Who was your favourite teacher?
Mrs. Beavis, my language arts teacher.

Why?
She made me feel special.  She even had me over to her house for lunch and for her son’s birthday party!  It was pretty great.

How did you cope with your least favourite subject?

I don’t recall having a least favourite subject in elementary school.  But in high school school I really disliked algebra – I didn’t understand a single thing the teacher was saying!  My marks went from 93% in geometry to 26% in algebra the next term– it was discouraging.
[this is Cathy at 5 year old]
Cathy has been an artist educator with Manitoba Artists in the Schools, Ontario Artists in Education, Learning Through the Arts with the Royal Conservatory of Music and the Create-An-Opera Program for The Canadian Opera Company. She has created scores for theatre production for regional and independent theatres across Canada, including music for over 60 productions for Manitoba Theatre for Young People and 10 productions for Lorraine Kimsa Theatre for Young People.

Friday, February 25, 2011

sometimes you just need a nudge...


...to do what you've been thinking about for a while.

Last week, with 29 other Artists and Arts Educators, I took part in the Artist Educators in Communities and Schools Training Intensive, hosted by a partnership between Canadian Stage and the Performing Arts Organizations Network for Education [PAONE]. Lots more on that to come.

















Intense, igniting, inspiring.
Just the nudge I needed.
For this.
So.
Welcome.

I'm cooking up some yummy goodies.
With all sorts of great ingredients that make delicious art.


{omb}